Georges de la tour biography of albert
Bv georges de la tour: Important Art. But perhaps the most striking stylistic feature of this work is the reflection of the candle in the mirror. Saint Andrew in the Albi Apostles series, c. In it, Latour notifies you that it is a simple painter from Vic, married a noble girl from Luneville, and "Smarandache requested his Majesty" to take Latour to the service, as in all the County, except him, no artists and restorers by profession.
Georges de La Tour
French painter (–)
Georges de La Tour (13 March – 30 January ) was a FrenchBaroque painter, who spent most of his working life in the Duchy of Lorraine, which was temporarily absorbed into France between and He painted mostly religious chiaroscuro scenes lit by candlelight.
Personal life
Georges de La Tour was born in the town of Vic-sur-Seille in the Diocese of Metz, which was technically part of the Holy Roman Empire, but had been ruled by France since Baptism documentation revealed that he was the son of Jean de La Tour, a baker, and Sybille de La Tour, née Molian.
It has been suggested that Sybille came from a partly noble family.[1] His parents had seven children in all, with Georges being the second-born.
La Tour's educational background remains somewhat unclear, but it is assumed that he traveled either to Italy or the Netherlands early in his career.
He may possibly have trained under Jacques Bellange in Nancy, the capital of Lorraine, although their styles are very different.
Georges de la tour biography of albert einstein Many children — many entries in the town records. The future artist was the second oldest of seven children of Jacques de Latour. We do not know even what looked like artist: found no portraits, no avtoportreta. Quick search helps finding an artist, picture, user or article and prompts your previous searches.His paintings reflect the Baroquenaturalism of Caravaggio, but this probably reached him through the Dutch Caravaggisti of the Utrecht School and other Northern (French and Dutch) contemporaries. In particular, La Tour is often compared to the Dutch painter Hendrick Terbrugghen.[2]
In he married Diane Le Nerf, from a minor noble family, and in he established his studio in her quiet provincial home-town of Lunéville, part of the independent Duchy of Lorraine which was occupied by France, during his lifetime, in the period – He painted mainly religious and some genre scenes.
He was given the title "Painter to the King" (of France) in , and he also worked for the Dukes of Lorraine in –4, but the local bourgeoisie provided his main market, and he achieved a certain affluence. He is not recorded in Lunéville between and , and may have traveled again; Anthony Blunt detected the influence of Gerrit van Honthorst in his paintings after this point.
He was involved in a Franciscan-led religious revival in Lorraine, and over the course of his career he moved to painting almost entirely religious subjects, but in treatments with influence from genre painting.[2]
Georges de La Tour and his family died in in an epidemic in Lunéville.
His son Étienne (–) was his pupil.
Works
La Tour's early work shows influences from Caravaggio, probably via his Dutch followers, and the genre scenes of cheats—as in The Fortune Teller—and fighting beggars clearly derive from the Dutch Caravaggisti, and probably also his fellow-Lorrainer, Jacques Bellange.
These are believed to date from relatively early in his career.
La Tour is best known for the nocturnal light effects which he developed much further than his artistic predecessors had done, and transferred their use in the genre subjects in the paintings of the Dutch Caravaggisti to religious painting in his. Unlike Caravaggio his religious paintings lack dramatic effects.
He painted these in a second phase of his style, perhaps beginning in the s, using chiaroscuro, careful geometrical compositions, and very simplified painting of forms. His work moves during his career towards greater simplicity and stillness—taking from Caravaggio very different qualities than Jusepe de Ribera and his Tenebrist followers did.[2]
He often painted several variations on the same subjects, and his surviving output is relatively small.
His son Étienne was his pupil, and distinguishing between their work in versions of La Tour's compositions is difficult. The version of the Education of the Virgin in the Frick Collection in New York is an example, as the Museum itself admits.
Georges de la tour prints But la Tour does not play the scene for comedy or eroticism. Related Artists Caravaggio. The way it strokes surfaces, sends out showers of highlights, gives warmth as well as light while casting everything beyond its ambit into blackness. In no case do we ever observe a white contour around the fingers, especially when they slightly overlap as they do in the representation.Another group of paintings (example left), of great skill but claimed to be different in style to those of La Tour, have been attributed to an unknown "Hurdy-gurdy Master". All show older male figures (one group in Malibu includes a female), mostly solitary, either beggars or saints.[3]
After his death at Lunéville in , La Tour's work was forgotten until rediscovered in by Hermann Voss, a German art historian who would later become head of Hitler's Führermuseum;[4] some of La Tour's work had in fact been confused with Vermeer, when the Dutch artist underwent his own rediscovery in the nineteenth century.
Gallery
- Chiaroscuro scenes
Job Mocked by his Wife, c. –, Musée départemental d'Art ancien et contemporain, Épinal, France
Magdalene with the Smoking Flame, c. , Los Angeles County Museum of Art
The Newborn Christ, c.
Georges de la tour biography of albert hall We do not know even what looked like artist: found no portraits, no avtoportreta. This work is characteristic of La Tour's penetrating application of the Baroque style. He may possibly have trained under Jacques Bellange in Nancy , the capital of Lorraine, although their styles are very different. The Art Story.–, Museum of Fine Arts of Rennes
The education of the Virgin, c. , The Frick Collection
The smoker, , Tokyo Fuji Art Museum
The Flea-Catcher, , Musée Lorrain, Nancy
Saint Andrew in the Albi Apostles series, c.
The Repentant Magdalene, c.
, National Gallery of Art
- Other
The Cheat with the Ace of Clubs, c. late s, Kimbell Art Museum, Fort Worth, Texas. Another version (with Diamonds and slightly different clothes) is in the Louvre.
The Fortune Teller, –, Metropolitan Museum of Art
The Hurdy-Gurdy Player, c.
–, Prado Museum
Portrait of an Old Man, c. –, De Young Museum, San Francisco
Portrait of an Old Woman, c.
Georges de la tour biography of albert Edited and revised, with Summary and Accomplishments added by Antony Todd. French painter — It is written in calligraphic handwriting and with full respect for the rules of spelling, which undoubtedly tells on the education of the artist. Apparently, Latour fled, first in Nancy and then in the French capital.–, De Young Museum, San Francisco
See also
Notes
- ^[1] Crissy Bergeron Thesis – page 7, and note 4, quoting Thuillier p
- ^ abcAnthony Blunt, Art and Architecture in France, –, , Penguin
- ^Wright, 35, 44–46
- ^Dictionary of Art Historians (21 February ).
"Voss, Hermann". Retrieved 18 May
References
- Conisbee, Philip. “An Introduction to the Life and Art of Georges de La Tour,” in Philip Conisbee (ed.), Georges de La Tour and His World, exhibition catalogue Washington, DC, National Gallery of Art; Fort Worth, Kimbell Art Museum , pp
- Furness, Sophia Mary Maud.
Georges de la Tour of Lorraine, –. Published by Routledge and Kegan Paul Ltd, London, OCLC&#;
- Judovitz, Dalia. Georges de La Tour and the Enigma of the Visible, New York, Fordham University Press, ISBN&#;; ISBN&#;
- Le Floch, Jean-Claude.
- De la tour meaning
- Getty de la tour
- Georges de la tour artwork
- Georges de latour wine
- Delatour
- Le Floch, Jean-Claude. Le signe de contradiction&#;: essai sur Georges de La Tour et son oeuvre, Presses Universitaires de Rennes 2,
- Thuilier, Jacques. Georges de La Tour, Flammarion,
- Wright, Christopher. The Art of the Forger, , Gordon Fraser, London.
ISBN&#;X.
La Tour, Le Clair et L'Obscur, Herscher,