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Marianela Núñez
Argentine-British ballet dancer
Marianela Núñez (born 23 March ) is an Argentine-British ballet dancer. She is a principal dancer with The Royal Ballet, London.[1]
Early life
Marianela Núñez was born in Buenos Aires, Argentina.
She has three older brothers. Her mother sent her to ballet classes when she was three. At first, she took dance classes at her teacher's garage. At age five, Núñez decided to focus on ballet.[2][3][4] She entered Teatro Colón Ballet School at age six.[1]
Career
At age 14, halfway through her training, Colon Theater Ballet's lead Maximiliano Guerra chose Núñez to dance with him, and the company selected Núñez to join the company.
She danced with the company in both Buenos Aires and on tour, and danced with the company's lead in various roles. In , at age 15, she auditioned for The Royal Ballet when the company was on tour in Los Angeles, even though she didn't speak English. She was offered a contract, but UK employment law prevented her from working in the UK until age She attended The Royal Ballet School instead, and was guaranteed she would be offered a contract the following year.
Marianela nunez biography Buenos Aires , Argentina. She has played important roles in both classical and modern productions. Occasionally, my parents would try to intervene and tell me to stay in my bedroom and relax. Argentine-British ballet dancer.She was promoted to First Soloist, the second highest rank of the company, in [1][2][4][5]
In , Núñez replaced the injured Leanne Benjamin as Kitri in Don Quixote, with Carlos Acosta as Basilio.[6] She was promoted to principal dancer the following year.
She has danced leading roles in both classical and contemporary works by choreographers including Frederick Ashton, John Cranko, Kenneth MacMillan, Wayne McGregor and Christopher Wheeldon.[1] In , she won the Laurence Olivier Award for Outstanding Achievement in Dance for Viscera, Aeternum and 'Diana and Actaeon' from Metamorphosis: Titian .[7]
In , following a performance of Giselle, Núñez celebrated her 20th anniversary at The Royal Ballet.
Artistic director Kevin O'Hare declared her "one of the greats of her generation".[8] Present were Lady Sarah Chatto, Peter Wright, Monica Mason, and The Argentine ambassador to the UK Renato Carlos Sersale di Cerisano.[9]
Outside the Royal Ballet, Núñez has made many guest appearances worldwide, including in Austria, U.S., Italy, Argentina and Australia.[1] She has performed in La Scala Theatre Ballet many times, and is a frequent collaborator of Roberto Bolle.
She has also returned to Colón Theater Ballet, where her career started.[10]
Reviews
On Don Quixote, The Guardian wrote she is "a brilliant exponent of rubato dancing, stretching chosen phrases to breaking point and then flying through the music with ecstatic abandon."[11]
Reviewing Núñez's guest appearance in American Ballet Theatre's Cinderella, the New York Times, noted: "effortless attack and enthusiastic impetus made the sequence thrilling."[12]
The Times also praised Núñez's portrayal of Odette/Odile in Swan Lake, she "has a pure line, a melting plasticity and a smooth legato quality.
Her Odette was lyrical and sorrowful; her Odile steely and sexy."[13]
On Núñez as Nikiya in La Bayadère,The Independent noted she "has luscious musical phrasing and floating line."[14]
Personal life
Núñez married fellow principal at the Royal Ballet, Thiago Soares in in Buenos Aires.[15] The couple separated in and announced their divorce in January , but remain friends and continue to dance together.[16][17]
Núñez is a naturalised British citizen.[18]
Selected repertoire
Núñez's repertoire with The Royal Ballet includes:
- Created roles[1]
- Infra
- Asphodel Meadows
- "Diana and Actaeon" (Metamorphosis: Titian )
- Human Seasons
- Tetractys
- Carmen (Carlos Acosta)
- Multiverse
Awards
[1]
References
- ^ abcdefg"Marianela Nuñez".
Royal Opera House. Archived from the original on 6 June Retrieved 12 May
- ^ ab"Portrait of the artist: Marianela Nuñez". The Guardian. Archived from the original on 10 April Retrieved 27 March
- ^"Dancer Marianela Nunez: 'The Royal Opera House and the Royal Ballet are my home and my family'".
The Stage. 13 February Archived from the original on 21 June Retrieved 21 June
- ^ ab"Portrait of the artist: Marianela Nuñez".
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The Guardian. Archived from the original on 29 November Retrieved 19 January
- ^"In conversation with Marianela Nuñez". Gramilano. 9 July Archived from the original on 20 June Retrieved 23 July
- ^"Royal Ballet Principal Marianela Nuñez on Her Signature Role: Don Quixote's Kitri".
Pointe Magazine. 19 May Archived from the original on 28 May Retrieved 20 May
- ^"Olivier Awards The results in full". The Telegraph. 28 April Archived from the original on 11 April Retrieved 23 July
- ^"Marianela Nuñez celebrates 20 years with The Royal Ballet with a traditional flower throw".
Royal Opera House. 7 February Archived from the original on 21 June Retrieved 21 June
- ^"Distinguieron a Marianela Núñez por su contribución extraordinaria al Royal Ballet". La Nación (in Spanish). 2 February Archived from the original on 5 July Retrieved 12 July
- ^ abcd""Choreographically, it is heaven!" Marianela Núñez on dancing Tatiana".
Bachtrack. 5 February
- ^ ab"Don Quixote review – the evening belongs to Marianela Nuñez". The Guardian. 29 November
- ^ ab"Review: Marianela Nuñez Enchants as Cinderella With American Ballet Theater".Marianela nunez biography husband Toggle the table of contents. The Royal Ballet. We must live the moment. When I can I return to Argentina where I can recharge my batteries surrounded by the love of my family.
The New York Times. 5 July Archived from the original on 27 February Retrieved 12 May
- ^ ab"In Royal Ballet's New 'Swan Lake,' It's the Hero's Tragedy". The New York Times. 18 May Archived from the original on 25 December Retrieved 12 May
- ^ ab"La Bayadère, Royal Opera House, London review: A night of powerful personalities and blazing dancing".
The Independent. 6 November Archived from the original on 27 November Retrieved 12 May
- ^Bryant, Miranda (16 January ). "Dancing with my husband happens naturally…we understand each other". Evening Standard. Archived from the original on 21 June Retrieved 21 October
- ^Patrick Kidd (16 January ).
"Diary (TMS): Covent Garden's first couple split, Bowie's parliament flop, Friends star misses out and Yes, prime minister".
Vadim muntagirov Archived from the original on 30 August Read Edit View history. We live in a world that is fast and hyper-technological, where often there is no space left for magic. She was offered a contract, but UK employment law prevented her from working in the UK until ageThe Times. Archived from the original on 2 February Retrieved 21 October
- ^The Royal Opera House Magazine, January , Page
- ^"Marianela Núñez on one of her fav ballets, La Fille mal gardée, and life under lockdown". DanceTabs. 10 June Archived from the original on 19 May Retrieved 16 June
- ^"Marianela Núñez excels in the Royal Ballet's Coppélia".
Financial Times. 2 December Archived from the original on 3 November Retrieved 12 May
- ^ ab"5 Lessons We Could All Learn from Marianela Nuñez".
Marianela nunez instagram: Her mother enrolled her in dance classes when she was three years old. Marianela has amassed a sizable fortune through her dancing profession. In terms of physical appearance, she has a thin and appealing body type. Retrieved 21 October
Dance Magazine. 9 August Archived from the original on 13 August Retrieved 12 May
- ^"Sylvia review – lustful hunters and weapons-grade dancing". The Guardian. 1 December
- ^Mackrell, Judith (10 March ).Marianela nunez biography wikipedia Her sexual orientation is heterosexual. Would love your thoughts, please comment. In terms of physical appearance, she has a thin and appealing body type. Archived from the original on 2 November
"La Fille Mal Gardée Review ". The Guardian. Retrieved 21 October
- ^"Romeo and Juliet review ". The Guardian. 15 June Archived from the original on 29 November Retrieved 21 June
- ^"Royal Ballet – Monotones I & II, The Two Pigeons – London". DanceTabs.
20 November Archived from the original on 26 March Retrieved 12 May
- ^"The Royal Ballet opens the new season with Mayerling". Bachtrack.
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9 October Archived from the original on 19 September Retrieved 12 May
- ^national, ballet. "El cuento de invierno". web ballet canada. dance. Archived from the original on 2 November Retrieved 6 December : CS1 maint: bot: original URL status unknown (link)
- ^"Manon review – touching greatness, three times over".
The Guardian. 15 April
- ^"Alice's Adventures in Wonderland". Dancing Times. 30 March Archived from the original on 30 September Retrieved 12 May
- ^"Royal Ballet – La Sylphide & Ballo della Regina – London". DanceTabs. 25 May Archived from the original on 30 August Retrieved 12 May
- ^"The week in dance: The Cellist/Dances at a Gathering; Message in a Bottle – review".
The Guardian. 23 February
- ^"Scènes de ballet/A Month in the Country/ Rhapsody review – an outstanding Ashton triple bill". The Guardian. 1 May
- ^"Principal Dancer Marianela Nuñez is awarded an OBE". . Retrieved 17 January